Art, architecture, and music
Near fine, first edition, first printing hardcover. Black boards with silver titling on spine. Would be a fine/as new save for previous owner’s name on half-title page. Dust jacket protected in a clear, removable, archival jacket. 146 pp. Large folio, 16 x 13 inches tall.
Shipping is extra on this large and heavy book and will be charged at actual cost.
Very near fine hardcover in a good dust jacket. Black cloth covered boards gold-stamped title on spine. Dust jacket is price clipped, chipped along top edge. DJ reads 09-61. Dust jacket now protected in a clear, removable, archival cover. 251 pp. Large octavo, 6 x 9 1/2 inches tall.
“Roster of performances and singers during nearly forty years is accompanied by an account of the development of the company.”
Near fine first edition. Signed by Quigley with the words “1st Edition,” along with gift inscription on first free endpaper. Near fine copy showing minor edge toning. Publisher’s morocco-grain cloth with gilt spine lettering, pictorial dust jacket. Dust jacket is not price-clipped and shows 1971 sale advertisement. DJ has 2 closed tears on front (2-3″) and minor tear on the back cover. Dust jacket now protected in a clear, removable, archival cover. Numerous illustrations of the artist’s work, many in color. 168 pp. Large quarto.
Milton Goldstein. The Magnificent West: Yosemite. With 60 photos. in color. Garden City: Doubleday & Company, . Sixth printing.
Hardcover. Near Fine/very good +. Full-color photograph oversized book. Near fine except for previous gift inscription (“May 1988…”).
In burnt sienna cloth boards with silver foil stamping on cover and spine. Heavy, very good+ dust jacket reads: “Milton Goldstein. With 60 photographs in full color. Selections from the writings of John Muir. The magnificent West: Yosemite.” Dust jacket has impressions where someone may have used book as a firm writing surface with paper on top of cover, miniscule snag on bottom spine area of DJ; gloss on dust jacket mildly shelf worn. Sienna map endpapers and large color plates throughout. Sixth printing. The numbers “9 8 7 6” appear under “Printed in Japan” on copyright page, n.d. A handsome copy. 210 pages, with index. 10 1/4 x 11 3/4 inches tall.
J. Paul Getty Museum. The J. Paul Getty Museum handbook of the collections. Color ill. throughout. Los Angeles: J. Paul Getty Museum, 2007. 7th .
Fine softcover, clean and crisp. Appears to have been unread. 320 pp., index, fully illustrated in color. 5.75×9.75″ tall.
Presents a visual journey through the collections of the J. Paul Getty Museum. This title marks the historic moment when the Museum opened its doors at two sites simultaneously – the Getty Center in Brentwood, California and the re-imagined Getty Villa in Malibu which is devoted to Western antiquities. Softcover (9708892368877 ).
Sir Herbert Read. The Book of Art, A Pictorial Encyclopaedia of Painting, Drawing, and Sculpture: in Ten Volumes [Complete set]. Vol. 1 : Origins of Western Art; Vol. 2: Italian Art to 1850; Vol. 3: Flemish and Dutch Art; Volume 4: German and Spanish Art to 1900; Vol. 5: French Art from 1350 to 1850; Vol. 6: British and North American Art to 1900; Vol. 7 : Impressionists and Post-Impressionists; Vol 8: Modern Art; Vol. 9: Chinese and Japanese Art; Vol. 10: How to Look at Art. New York: Grolier, Incorporated, 1966. 2nd Printing.
A near fine, complete set in original dust jackets. Black quarter over maroon leatherette binding. Gilt stamping. Pictorial endpapers. All edges gilt. Printed in Italy on glossy photo paper. Dust jackets are very good+ to fine, with volumes one and six showing a short, closed tear. Dust jackets now protected in clear, removable, archival covers. Profusely illustrated throughout. Each volume about 200-400 pp. Small quarto, 8 1/2 x 10 inches tall.
Large, multi-volume set postage is billed at actual cost.
Hardcover. Near Fine/missing dust jacket. A near fine, stated first edition hardcover in teal boards with gilt stamp of cow skull on cover and title on spine.
With photos, color plates, b/w plates, sketches, and other illustrations throughout by Frederic Remington, Paul Kane, George Caitlin, John Mix Stanley, and others. 232 pp. including index. 8.5″ x 11.25″ tall.
Princeton: Princeton University Press, 1978. First Edition. Cloth. Very good +/very good. Very good + first edition. Buckram cloth boards with titlting in black and brown, Mayan glyph on cover. Deep brown end papers. From the private library of Larry Southwick, collector’s marginalia pencilled near binding on title page. Top edge showing foxing, interior pages clean, bright and unmarked. Binding is solid and sturdy. In a very good, price clipped, dust jacket, showing some rubbing and wear. Dust jacket now protected in a clear, removable, archival cover. The book is a collection of fold out pictures, and all are intact and fine. 142 pp. Quarto, 8 1/2 x 11 inches tall.
Catalogue of an exhibition of Maya art and artifacts at the Princeton University Art Museum, Mar. 4-June 18, 1978.
New York: Alfred A. Knopf, 1976. First American Edition. Cloth. Fine/near fine. A fine first American edition in a very near fine, unclipped dust jacket. Brown embossed cloth with gilt stamping on spine. Half-title shows a binder’s error where page was left partially uncut and folded in. Binding is strong and square on this large and heavy volume. Full page sepia plates of the artists’ work throughout. Dust jacket shows a small stain to back cover and mildest of shelf wear. Dust jacket now protected in a clear, removable, archival cover. 363 pp. plus index, i-viii. Quarto, 10 x 11 inches tall.
Shipping is extra on this large and heavy volume.
In 1843 painter David Octavius Hill joined engineer Robert Adamson to form Scotland’s first photographic studio. During their brief partnership that ended with Adamson’s untimely death, Hill & Adamson produced “the first substantial body of self-consciously artistic work using the newly invented medium of photography.” Watercolorist John Harden, on first seeing Hill & Adamson’s calotypes in November 1843, wrote, “The pictures produced are as Rembrandt’s but improved, so like his style & the oldest & finest masters that doubtless a great progress in Portrait painting & effect must be the consequence.” –wikipedia
East Aurora, NY: The Roycrofters, 1912. Miriam Edition. Quarter leather. Very good +. A very good plus edition crafted by the Roycrofters with traditional bookbinding and papermaking methods. White quarter leather spine under heavy gray paper boards with fine gilt stamping on front cover and gray paper spine. Some loss of paper on spine at head and tail. Heavy wear to corners. Deckle page edges. Top edge gilt. Frontis with loose tissue guard. Illustrated with plate of the artists, tissue intact. Accent motifs around some of the text. 148 pp. plus colophon. Octavo, 6 x 8 inches tall.
Best known as the initiator of the Arts and Crafts community of Roycroft, Hubbard was an anarchist, a socialist, and followed a philosophy of mental and spiritual freedom. Some of his works, which include Jesus Was an Anarchist and A Message to Garcia, were listed as offensive by the US government. He and his wife died aboard the Lusitania.